Commercial Painting Subcontract Clauses That Cost Painters Money
The subcontract arrives after you have won, when the pressure to sign is highest and the appetite to argue is lowest. It is usually a…
The subcontract arrives after you have won, when the pressure to sign is highest and the appetite to argue is lowest. It is usually a…
Every construction project has a small number of surfaces that nobody clearly owns. They are not in anybody scope because each trade assumed another had…
Winning a commercial painting contract does not produce money. A schedule of values does. It is the document that breaks your contract sum into line…
A bid form usually asks for more than one number. There is the base bid, and then there are boxes for alternates and, on many…
Every painting bid contains assumptions. The only question is whether they are written down. An exclusion is an assumption made visible, and the difference between…
An invitation to bid arrives as an email with links, a deadline, and an implication that everyone else already understands the process. Most painters respond…
On commercial work you are usually not allowed to open a container until somebody has approved what is in it. The mechanism is the submittal…
A specification is the written half of a construction contract, and the painting section of it is where a bid quietly becomes either profitable or…
Of everything in a commercial drawing set, one table decides most of what a painter is being asked to do. It is usually a single…
The first commercial bid most painters lose money on is not lost in the field. It is lost at the kitchen table with a set…